I'm most upset for Montaigne from Australia, who didn't get to perform her entry live because of travel restrictions. Technicolour is a glorious song and she absolutely nailed the vocals, but having an extra couple of months to prepare could have produced better staging which matched the energy of the song.
Ireland's Lesley Roy had very innovative staging, which I fear detracted from the song itself, but I'll always adore the free feeling of Maps! It could be my favourite Irish entry ever!
Roxen from Romania's song holds a special place in my heart after getting me through some tough days, and there were some great moments in her performance.
I thought Croatia's performance was excellent, the only reason I can think of for it not getting through is that the song runs out of steam and gets a little repetitive towards the end.
Slovenia and North Macedonia's songs were also very well performed; I'd wager that the songs themselves weren't enjoyed so much by the voting audience.
I was delighted that The Roop made it through with my second favourite song of that title (which isn't that far behind the UK number 1 that includes the "h") and Tix's song made me more emotional than Roxen's on the day, so I certainly can't fault Norway's qualification. I was pleased that Hooverphonic returning to their roots paid off, and Eden Alene's enthusiasm and whistle notes elevated Set Me Free, after my disappointment with the revamp. Elena, Efendi and Destiny were the picture of confidence, and I couldn't help but get behind Manizha and Go_A's powerful entries, countering the English language dominance (I find it interesting that with the exception of one chorus, all the non-qualifiers were in English). I was also pleased to see Tusse qualify with the third Swedish entry in a row that I've gotten enjoyment from!
Let's hope I feel this good after semifinal 2 too!